Find Me No.1, Folie à Plusieurs

FIND ME (No.1) Medium: LITERATURE Materials: BERGAMOT, LEMON, MANDARIN, PINE NEEDLE, SIBERIAN PINE, GINGER, CARDAMOM, BLACK PEPPER, NÉROLI, SKIN/SEX ACCORD, LEATHER, ORANGE BLOSSOM, MUSK, OAKWOOD. Feelings of: A NIGHT IN LIGURIA, ITALY. A CONTRAST OF YOUNG LOVE WITH OLD SPIRIT. THE FRESHNESS OF ITALIAN CITRUS, ANCIENT GARDENS IN ROME FILLED WITH PINE TREES AND LINEN BED SHEETS. Inspiration: FIND ME. The sequel to the novel “CALL ME BY YOUR NAME” by André Aciman. A collaboration with FSG Books US Macmillan. Perfumer: MARK BUXTON _ EACH FOLIE À PLUSIEURS PERFUME 50ML PURCHASE COMES WITH A 10ML TRAVEL SIZE POCKET PERFUME _ im·pres·sions Instead of imposing an image for a perfume on our creative audience, we’ve asked them to share their own interpretation of our fragrances; through video, image and audio. We believe these submissions are the most accurate representations of the fragrance, because they come from a honest connection and real human interaction. Rather than experiencing the fragrance through the lens of FOLIE's visual communications, these images and stories unfold through the users own personal experience. Our audience become authors in both the olfactive and visual narrative. This project is a digital introduction to the launch of our FOLIE olfactive print publication on contemporary scent culture. https://folie.space/impressions _ a MAY 2020 impression by Hannah Rose https://hannahrose.co/ ”After smelling FIND ME it immediately took me somewhere. I loved what this scent was about! So I decided to put this with an image that I was personally quite connected with. I guess it has quite a lot to do with experience. The experience that was attached to the moment I took the picture. I also felt like Find Me was quite complex with different elements coming together and so thought this collision of citrus at a dinner table would work quite well. I did not want to abstract this image too much, as I appreciated the elements that were already there. There has been some treatment in the darkroom, a kind of soft haziness applied while printing. This is mostly towards the top of the image, but this is more subtle.” — Hannah https://folie.space/...by-hannah-rose/ :